Thursday 5 September 2013

Criticism and Concerns


Christopher Nolan 


On film vs. digital:  "For the last 10 years, I’ve felt increasing pressure to stop shooting film and start shooting video, but I’ve never understood why. It’s cheaper to work on film, it’s far better looking, it’s the technology that’s been known and understood for a hundred years, and it’s extremely reliable. I think, truthfully, it boils down to the economic interest of manufacturers and [a production] industry that makes more money through change rather than through maintaining the status quo. We save a lot of money shooting on film and projecting film and not doing digital intermediates. In fact, I’ve never done a digital intermediate. Photochemically, you can time film with a good timer in three or four passes, which takes about 12 to 14 hours as opposed to seven or eight weeks in a DI suite. That’s the way everyone was doing it 10 years ago, and I’ve just carried on making films in the way that works best and waiting until there’s a good reason to change. But I haven’t seen that reason yet."

source: http://www.joblo.com/movie-news/christopher-nolan-discusses-why-he-prefers-film-to-digital-his-approach-to-cgi-and-much-more

Paul Thomas Anderson



Quentin Tarantino


"Part of the reason I'm feeling [like retiring] is, I can't stand all this digital stuff. This is not what I signed up for,".
"Even the fact that digital presentation is the way it is right now - I mean, it's television in public, it's just television in public. That's how I feel about it. I came into this for film."
He continued: "I hate that stuff. I shoot film. But to me, even digital projection is - it's over, as far as I'm concerned. It's over."
Source:  http://www.digitalspy.co.uk/movies/news/a441960/quentin-tarantino-i-cant-stand-digital-filmmaking-its-tv-in-public.html

Impact on Distribution

Digital Distribution

Digital Distribution of movies has the potential to save money for the film distributors. To print an 80 min feature film can cost US $ 1,500 to $2,500, so making thousands of prints for a wide-release movies can cost millions of dollars. In contrast, at the maximum 250 megabit- per second data rate (as defined by DCI for digital cinema) a feature-length movie can be stored on an off-the-shelf 300 GB hard drive for $150 and a broad release of 4000 digital prints might cost $600,000, in addition for reuse. With several hundred movies distributed every year, the industry saves billions of dollars.

Film List

Strides in Digital Cinematography

Julia and Julia - One of the earliest digitally shot features.
Last Broadcast - Shot and edited entirely on consumer- level digital equipment.
Star Wars 1      - First to use HD digital + place digital projectors
Once Upon a Time in Mexico - First well known + first to be shot in 24 frames-per-second
Star Wars 2 - Sony HDW-F900 ( entirely on digital video)
>lesser know> Vidocq, Russian Ark. (used the same camera)
The Master - Most 70mm film prints